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| The Off-Topic Lounge APPROPRIATE FAMILY-FRIENDLY TOPICS ONLY - READ THE RULES! This forum is for posting anything (excluding topics prohibited by the forum rules) that's unrelated to email. General discussions, in other words. |
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#16 | |
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Moderator
Join Date: Mar 2002
Location: Virginia, USA
Posts: 3,271
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#17 |
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The "e" in e-mail
Join Date: Feb 2005
Location: USA
Posts: 2,373
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8 track tapes
![]() I remember in the 70s being in my aunts car and she put in some cartridges... I didnt know what they were then... I started collecting them about 10 yrs ago and they are just goregous! The sound (if done right) is insanely good...... Last edited by Bamb0 : 22 May 2026 at 02:45 AM. |
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#18 |
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Cornerstone of the Community
Join Date: Dec 2017
Location: Scotland
Posts: 859
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electric motors - the basis of so many useful machines
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#19 |
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Essential Contributor
Join Date: Aug 2023
Posts: 297
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Common dental care personal products
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#20 |
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Essential Contributor
Join Date: May 2012
Location: north
Posts: 243
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.308 winchester
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#21 | |
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Cornerstone of the Community
Join Date: Dec 2017
Location: Scotland
Posts: 859
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Quote:
Where (in the description within): https://en.wikipedia.org/wiki/8-track_cartridge does whatever you're talking about fall? I don't see how the sound can be "insanely" good; 8 audio tracks spread across a 1/4" tape gives a track width & spacing the same as the 4 tracks across a 1/8" tape in compact cassettes. That wikipedia article says the tape runs at 3.75 ips (so double the rate of a cassette tape) which would make some improvement over the equivelent tape formulation in a cassette. But - back in the days when I recorded stuff on cassettes (mostly late 1970s thru 1980s) - there was a massive difference between results on ordinary blank tapes (sold eg by high-street supermarkets) and the very best of TDK's or Maxell's tapes. Development of cassette machines with adjustable bias & EQ - and in some - Dolby B &/or dbX NR helped I see nothing in the wikipedia article suggesting that discerning users could use different qualities of tape - which suggests that that used would be "mass market" quality - ie not very good. Plus ... for a product initially mostly used in (noisy) cars there's no incentive for the manufacturers to aim for hi-fi (let alone audiophile or 'pro') quality. I doubt most cars of the period had (by modern standards) particularly good amps or speakers. In a cartridge one channel of audio uses at most just under 1/8th of the full 1/4" width of the tape - so 1/32" x 3.75" per second. Compare that with eg a ReVox half-track stereo machine using 1/4" tape at 7.5ips. One channel uses just under 1/8" x 7.5 ips ... which is 8 times the surface area of tape used per second. The ReVox will have a substantially-better engineered transport & electronics & only an idiot would use poor-quality tape. If a cartridge is "insanely good" what is the ReVox (apart from bl**dy heavy)? |
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#22 |
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Senior Member
Join Date: Mar 2002
Location: Canada
Posts: 184
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#23 |
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Essential Contributor
Join Date: Aug 2023
Posts: 297
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#24 | |
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The "e" in e-mail
Join Date: Feb 2005
Location: USA
Posts: 2,373
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Quote:
And I think its amazing Jeremy they can fit 4 different pieces of music on that 1 tape! (4 tracks,each with 2 channels) Isnt it fascinating that they even work?? Last edited by Bamb0 : 22 May 2026 at 03:19 PM. |
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#25 | ||
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Cornerstone of the Community
Join Date: Dec 2017
Location: Scotland
Posts: 859
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Quote:
Quote:
It's not 4 tracks - it's 8 tracks ... hence the name "8 track". On multitrack machines (eg in studios) a (say) 24-track recorder can record 1-24 tracks/channels at a time. It's surprising that the tape going back into the centre of the loose reel of tape inside doesn't wear-out or get stretched or have its edges bent. |
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#26 |
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The "e" in e-mail
Join Date: Feb 2005
Location: USA
Posts: 2,373
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Ya thats a problem......... 8 tracks can be high maintenence...
Have ya ever had any??? |
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#27 | |
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Cornerstone of the Community
Join Date: Dec 2017
Location: Scotland
Posts: 859
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Quote:
(I /did/ use a similar "Tascam 34B" 1/4" 4-track 7.5 or 15ips in live recording if & when there'd be gaps in the concert where reels could be changed: at 7.5ips with external dBx NR it wasn't bad.) Because this one went places with me it had a wood & metal & foam flightcase - almost too heavy to lift - needed help or rolled it end-over-end. Somewhat later - a "Tascam DA88" - bought new in the 1990s for about ?3700 IIRC. Eight tracks of CD-quality digital recording - just under 2 hours per tape - and it always knew where on a tape you were to the nearest 28th of a second or so (that's a common frames/sec rate in the film industry). It was much heavier than a cassette deck; flight-cased in a polycarbonate case so could be carried ok with one arm. That 1/28th sec precision meant eg that you could ask it to loop between two specified points (if you wanted to listen to something over & over again perhaps while experimenting with mixing it). You could load a tape and have it find a specific hh:mm:ss.fr place. Working out lengths of parts of what you'd recorded was easy. By the time I was using this I often hired mics - some worth up to ~ ?1500 each. I owned quite a few too - but I think the most I ever spent on a mic was a few hundred. WIth the DA88 I stopped taking a mixer out to concert recordings (with a 4-track I had to to mix some of the mics' signals together.). I'd normally put mic-splitters (passive unpowered devices which allow you to take the signal from one mic [powered from its preamp] & send it to two places) on the main stereo pair of mics & apart from sending them to two of the DA88's tracks also record them alone on a "Panasonic SV3900" DAT machine. The SV3900 was the big-brother to the SV3700; the 3900 had a wired remote control which - with dedicated buttons for various things - which made its indexing & "locate" functions (eg go to preset point "17" or move point "22" back by 0.4 second ) much easier to use. These days I hardly ever record stuff - not well enough. But when I do I now just use a portable solid-state (no moving parts except control buttons) digital thing: another Tascam machine - an "HDP2". For live recordings I use a pair of Oktava MK012 mics; I also use the HDP2 for recordings (eg of radio broadcasts) made via a S/PDIF interface from a PC. See: https://www.soundonsound.com/reviews/tascam-hdp2 You can google for pictures of these things. |
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#28 |
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Essential Contributor
Join Date: Jun 2002
Posts: 434
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Reminds me of my Sony 4 track reel to reel, sounded great. I remember this question being posed to a professor and his answer was refrigerated air freight( fresh produce year round)
Last edited by mister : 23 May 2026 at 03:54 PM. |
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#29 |
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Cornerstone of the Community
Join Date: Aug 2006
Location: Philippines
Posts: 960
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In this day and age. It's boiling down to a computer and cell phone. As must as I would like to say I could live without, I can't. A cell phone is needed for verification apps, the computer is managing accounts.
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#30 |
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Essential Contributor
Join Date: Aug 2023
Posts: 297
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Yes unfortunately becoming too true; and this one of the most damned irritating things!
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